Showing posts with label The Hobbit. Show all posts
Showing posts with label The Hobbit. Show all posts

Monday, September 22, 2014

Berlin getaway series: #2.2 K21 Contemporary Art Gallery

K21

K21 is one of the two art gallery buildings here in Düsseldorf and houses the contemporary art collection and exhibitions.
  The other building is K20 further down the road.

K21 (c) MJT
I had actually planned to come back to K21 at some point during my visit to Düsseldorf, yet as I was walking past I noticed that there was a jazz festival happening, and by fortune due to this the gallery was actually free on this particular Sunday (saving 12€).

Innenhof K21 (c) MJT

And so in making my way around I looked up to the glass dome, only to notice the "in orbit" installation by Berlin based artist Tomás Saraceno.
 
Looking up to the glass dome K21 (c) MJT
A steel net inspired by spider webs, this interactive suspended exhibition has a maximum of ten people climbing over it at any one time. And so naturally I had to give it a go!

Waiting in line for "in orbit" K21 (c) MJT
Truly an amazing feat and collaboration between art, engineering, architecture, nature and inspiration. The intention behind the installation was to resemble a surreal landscape, or a sea of clouds - with the observers looking down at the world below, or vice versa observers looking up at participants swimming in the air.
 
From model to realisation (c) MJT

Waiting in line I couldn't help make the comparison of monkeys in the zoo clambering around their enclosure - the use of limbs to move across the wires particularly.

"in orbit" K21 (c) MJT
A few more facts collected while waiting (a good half hour!) is that the structure is suspended 25m above the piazza of the art gallery, encompasses 2500m2, has six inflated PVC spheres and has three levels that one can move around. It weighs 3 tonnes, and the largest sphere alone weighs 300 kilograms.

PVC spheres (c) MJT
One concept that I particularly like about Saraceno's work, is that it evokes another level of communication that we as humans are rarely perceptive. Exactly like a spider's web, the vibrations of other people moving around the web is perceptible to everyone else - think of a suspended bridge or the scene in the hobbit 2, where the web vibrates throughout the forest when bilbo touches it. And so the work refines our sensors on a different level. Much of Saraceno's work it turns out is inspired by the research of spiders, and a related exhibition even uses real examples of natural webs. 

Spider web (c) MJT

Spider web (c) MJT

Spider web (c) MJT
Suiting up into a one-sy and having to wear appropriate shoes really did make it feel like we were about to go "into orbit" and the experience was definitely worth the wait. 

Going into orbit (c) MJT
Once onto the web it was quite a work out, since the steel really does move with everyone's weight distribution, and at times can go from being a slight incline to climbing vertically up the wall. Going between the three levels involves climbing through a round hole or tunnel, and the steel expands as one's weight moves from one to the other. 

Cloud pillows (c) MJT

A pile of pillows is extremely comfortable to lie down upon and feel as if you are sitting on a cloud looking down on the world, or looking up through the glass dome at the clouds outside.  

Looking up (c) MJT
In summary the rest of the art gallery was interesting but not so comprehensive, however the Saraceno installation and exhibition far outweighed any reservations and was well worth the visit. Many people could only observe and not participate, however I felt entirely safe and very little vertico - and besides which, the pillows, walls and balloons give relief when exploring. 

Saraceno "in orbit" (c) MJT
Safety precautions included no-one under 12 allowed, and 12-16 only by signed permission from parent or guardian. We had to sign a disclaimer before being admitted and of course good health is necessary, as it really is a work out clambering around. But so much fun - like being a kid in a giant spider web! 


Well worth the experience (c) MJT
For more information about the artist Tomás Saraceno, check out www.tomassaraceno.com

Thursday, January 9, 2014

The Hobbit at Sony Centre



ORIGINAL LANGUAGE FILMS AT POTSDAMER PLATZ SONY CENTRE

When the Berlin Wall fell in 1989 Potsdamer Platz was in the middle of No-Man's-Land and nothing remained of the 1920's bustling hotel, cabaret and film epicenter of Berlin. By the turn of the millennium, construction was a full 360 degrees of cranes, excavation and new architecture. 
Potsdamer Platz 1900 - Image care of http://potsdamerplatz-office.de/

During divided Berlin - Image care of http://www.treffpunkt-berlin.eu/bilder/
 





During 2000 construction - Image care of http://potsdamerplatz-office.de/
Today the Sony Centre (the giant tent like roof) houses one of the biggest cinema complexes, presenting the films in original language. (Usually Hollywood/Blockbuster, but also independent and British films). Like most western cinemas now, they also show films in 3D. 

Potsdamer Platz today - Image care of www.stadtentwicklung.berlin.de/
As such, we continued the Post-Christmas tradition of going to see a Middle-Earth, Peter Jackson film - The Hobbit (2) - The desolation of Smaug. As rarely as I hear or use the word desolation, in German it is apparently EINÖDE - a word I had never come across in my study of german language.

(c) MJT
I wont write a review of the movie here, however I will say that we knew we would be buying into the franchise (and there were many moments that you could tell they were stalling for time), but that the scenes with and the animation of Smaug (the dragon) were fantastic. 
(c) MJT
But the main thing I wanted to share in this blog post is the effort that the Sony Centre go to in the outside/inner court. Currently it is dedicated to the Hobbit film, with Smaug hiding beneath the gold. Looks pretty cool, and was very apt given we were going to see the Hobbit anyway. 
(c) MJT
(c) MJT
(c) MJT
As for the Kino (cinema) itself, the link is

I would recommend going on Mondays and Tuesdays, as the prices are cheaper. However new releases are often months late (compared to the USA and Australia) and there aren't always as many viewings or convenient times.

Now to wait for the final installment, but will finish re-reading the book by then easily! 

Leave a comment below if you have stopped by. Thanks! M